Tuesday 13 December 2016

Beginning quote of essay

Possible quotes:


  • 'They ain't 'bout it if they don't listen to it' - African American teenage student (female) from Andreana Clay journal.
  • 'You can't listen to all that language and film without it affecting you' - Youth, popular culture and moral panics Page 150 Chapter 6
  • 'The days of making powerful, thought provoking and entertaining msuic videos are now a thing of the past' - Partners in porn by Janice Spence
Quote ideas:
  • Quote one of the artists from the primary text
  • Quote someone of significance from the rap industry
  • Short quote with an impact

Schedule for essay

The Three days for writing the essay:

  • Wednesday 21st
  • Thursday 22nd 
  • Friday 23rd 
I am hoping to visit the BFI library before I write the essay. If this isn't possible for next week then I will have to delay the essay to the Wednesday 28th  - Friday 30th  and visit the BFI library on the 27th Tuedsay.

Monday 12 December 2016

Critical Investigation 6

Web Research


Police shooting statistics 2016 - 'Are more black people killed by officers than other races?'

Williams, J. (2013). Police shooting statistics 2016: Are more black people killed by officers than other races? [Internet]. Janice Williams, ibtimes. http://www.ibtimes.com/police-shooting-statistics-2016-are-more-black-people-killed-officers-other-races-2421634

Specific references/quotes:

  • '990 deaths in 2015'
  • '258 deaths of black people in 2015'
  • 494 deaths of white people in 2015
  • 172 deaths of Hispanics in 2015
  • 708 deaths in 2016
  • 173 deaths of black people in 2016
  • 325 deaths of white people in 2016
  • 111 deaths of Hispanics in 2016 
  • 27 deaths described as other in 2016
  • 72 deaths are still unknown in 2016
  • 679 deaths were of males in 2016


In 2015, 990 people who were killed by police officers. The Washington Post reported 258 of them as black. So far in 2016, there have been 708 documented deaths in police shootings with there only being 173 African American victims. These statistics are shocking to for any person to consume because this should surely make America wonder whether allowing police to have possession of guns is ideal for the public's safety. If we consider the number of black people specifically having lost their lives in 2015 in relation with the number of deaths, which is far lower then half of the deaths. Also, the number of deaths of black people as opposed to white people is surprisingly lower with there being 325 deaths of white people against 173 black people. This statistic could possibly challenge the 'Black Lives Matter' campaign because it shows black people aren't the only people suffering at the hands of the people in authority. Therefore it could explain why some white folks, particularly in America, are against the campaign. Despite this, we shouldn't forget that white people make up the majority of the population in America so would be more likely to have more deaths by police.

Digital media has allowed audiences to see real footage of police brutality which is a major reason why people are beginning to fight for their rights. In 2016 we have seen a number of shocking events where police have victimised black people by using excessive force to detain control them. Therefore, people have joined together as a unit to form the 'Black Lives Matter' campaign. On this website it has a post on Twitter from National News which has pictures from the video recording of a number of police officers detaining one black male (citizen journalism).


MM38 - page 5 'There's A Riot Going On'


The article discusses the issues faced with young people in society and how they are being influenced by the content they see through the media. It brings up the killing of a black man, Mark Duggan, at the hands of police officers who had beat the teenager on the streets of Tottenham. Riots had then been erupted at that point across areas of the capital and other places of England's major cities.


  • Also, it was interesting how the rioters were described in articles with them being referred to as 'young people', 'feral youth', 'hoodies' 'yobs'. 
  • 'This was reinforced by the selection of images and perhaps especially by the iconic image of one black, hooded young man which appeared on at least five front pages following the first day of the disturbances.'
  • 'Issue of "race riots" was ignored or disavowed in much of the mainstream coverage as if it were somehow awkward to discuss'


YouTube - Kodak Black (before they were famous)

McCrudden, M. (2016). Kodak Black: Before they were famous. [Internet]. Michael McCrudden, YouTube. https://www.youtube.com/watch?v=4jyP3eu_FmA

  • 'Began rapping at 12 and 14'
  • 'Group up in the project where other Haitians were living'
  • 'Inspired/Role model was a rapper who glorified the use of drugs, alcohol and objectifying women'
  • 'He was rapping for drug dealers in their "trap house" and was influenced by what he witnessed in there'
  • 'His name came from the drug dealers calling him "lil black"'
  • 'His mother wasn't making enough money so he decided to become a drug dealer'
  • 'His father had left the two'
  • 'At the age of 15 he was sent to juvenile three times'
  • 'At 16 he committed a crime that was punishable by a life sentence'
  • 'Dolla and Dealz entertainment got good lawyers to reduce his sentence in prison'

Youtbe - Rich the Kid (before they were famous)

McCrudden, M. (2016). Rich the Kid: Before they were famous. [Internet]. Michael McCrudden, YouTube.  https://www.youtube.com/watch?v=0x9MN4BGvQI


  • 'Net worth estimated at $1 million'
  • 'Prison for weapons and drugs'
  • 'Brought up in the slums of New York and projects Atlanta'
  • 'Haitian'
  • 'Influenced by other hip hop artists'
  • 'Struggled in early life - school and family'
  • 'Played basketball, tried for rapping at 16'
  • 'Grandma kicked out of his house' - traditional black values have been changed

YouTube - DJ Akademiks (Kodak Black gets banned from South Carolina and put on House Arrest)

Akademiks, DJ. (2016). Kodak Black gets banned from South Carolina and put on House Arrest. [Internet]. DJ Akademiks, YouTube. https://www.youtube.com/watch?v=uOSVb6VmvDQ

  • 'Kodak Black has been banned from South Carolina until his conviction is gone' 
  • 'Accused of raping woman, but this has been a constant occurrence against black males'
  • Links to wider context as we have heard of black people being falsely accused of rape and of recent it has been rappers 

The social significance of Rap and hip hop culture - 'Keep in mind when brothas start flexing the verbal skillz, it always what's going on politically, socially and economically'

Blanchard, B. (2016). The social significance of rap and hip hop culture: Keep in mind when brothas start flexing the verbal skillz, it always what's going on politically, socially and economically. [Internet]. Becky Blanchard, web.stanford.edu. https://www.google.co.uk/url?q=https://web.stanford.edu/class/e297c/poverty_prejudice/mediarace/socialsignificance.htm&sa=U&ved=0ahUKEwjg2P3r5u_QAhUnK8AKHVnQDfUQFggUMAA&sig2=WTbyU3wAp1k3jvhEwL0KFw&usg=AFQjCNGe4X30nUE_ngvMYLPvM6uqMMQHiw
  • 'It seems that an increasing number of public figures have attempted to capitalise upon remaining cultural biases and fear of African American uprising to vilify rap music as the causative agent in a recent string of incidents of youth violence'
  • 'Discussion about direct correlation between media messages and actual acts of violence distracts us from getting at the real causes of mediated violence...'
  • '...The discussion distracts us from the real causes of crime: things like child abuse, poverty, parental neglect in care and time spent with their child'

Justin Timberlake 'uses black culture', says hip hop star Vic Mensa.

Guardian Music (2016). Justin Timberlake 'uses black culture', says hip hop star Vic Mensa. [Internet]. The Guardian. https://www.theguardian.com/culture/2016/jul/01/justin-timberlake-uses-black-culture-says-hip-hop-star-vic-mensa

  • 'We're not feeling him being down when it's beneficial to him and turning a blind eye when it could be dangerous'
  • 'This invention called whiteness uses and abuses us, burying black people out of sight and out of mind while extracting our culture, our dollars, our entertainment like oil, black gold'
  • 'Ghettoising and demanding our creations then stealing them; gentrifying our genius and then trying us on like costumes before discarding our bodies like rinds of strange fruit'

https://www.theguardian.com/music/2016/jul/21/asap-rocky-views-black-lives-matter-bill-cosby



'The Ballot or The Bullet' by Malcolm X.

  • 'I'm speaking as a victim of this American system. And I see America through the eyes of the victim. I don't aee any American dream; I see an American nightmare'





















Monday 5 December 2016

Introduction

Introduction
How does hip hop represent black people, with specific reference to the track 'Plug' by Rich the Kid?

This should clearly introduce your primary text, the media issue or debate you are addressing and what angle your essay will use to approach the question. It needs to engage the reader, pose some questions and give a clear indication of what direction the essay will take. The word count will vary but you want to aim for around 200-250 words.

Hip Hop’s popularity over the years has significantly been booming with a variety of audiences being incentivised to be a part of it. It is and has always been heavily affiliated with black culture which is why it’s important to identify how the genre represents the ethnic group and how/whether the media has decided to capitalise off of this confusion by attempting to demonise them. An artist like Rich the Kid has been on the rise in the American sub-genre of hip hop ‘trap’ which audiences would argue contains similar conventions of the main genre and this is where the representation of black people is constructed. When considering the track he produced called ‘Plug’ with two other artists (Playboi Carti and Kodak Black) we can see a negative portrayal of black people with the way they behave, their appearance and the lyrics used in the song. Perhaps an audience who has been influenced by large multinational news institutions (with hegemonic views) would perceive black people as ‘criminals’ through mediated news reports they consume of the ethnic minority which could potentially reinforce their views and ideologies of the ethnic group. Or maybe it’s the subject of the matter self-representing themselves through these types of songs which would make the news institutes exaggerations seem realistic. This could be the reason why some audiences (white folks especially) don’t take black people’s cries seriously when they are protesting something political like the ‘Black Lives Matter’ campaign.

Notes:

“They ain’t ‘bout it if they don’t listen to it”. These are the words of a female African American teenager who, some may argue, has no guidance in life. This is one of many responses Andreana Clay received in an observation she executed with black teenagers in an after school program called Brain Power in America. A music track like ‘Plug’ by Rich the Kid is the reason black people (especially young people) are influenced and encouraged to commit crimes. In the song, the artists show off their wealth and success through living the life of criminality. Now it is responses and behaviours like the one of the teenager displayed by black people because of hip hop that emit negative vibes towards middle and upper class folks especially white people. They aren’t able to establish the struggles black people have gone through or are going through as experiencing something first hand is completely different to reading/watching it. This is why some white people disagree with the ‘Black Lives Matter Campaign’ as they believe black people are disobedient; exaggerate these stories and that ‘All Live Matter’. Black people have turned towards hip hop to amplify their voice so society can hear their cries and struggles. But the genre has developed an image of racism and discrimination so people find it difficult to take the genre serious. 


·         Semiotics – non-verbal codes, denotation/connotation
·         Generic conventions – iconography, style, setting, narrative, characters, themes
·         Documentary elements – observational documentary, actuality
·         Mediation – constructed, mis-representation
·         Liberal values – progressive values, anti-racism, multi-culturalism
·         Patriarchy – system of society which men hold power
·         Matriarchy – system of society which women hold power
·         Narrative elements, sequences – strands, multi stranded narrative
·         American dream – cultural myth based on the belief that the USA is a land of promise and opportunity where anyone who works hard can achieve all the good things in life (love, esteem, wealth)
·         American nightmare – Malcolm X used this term to express the inequalities particularly with race and opportunity experienced by black people
·         Audience theory – hypodermic needle model, cultivation theory, effects theory, reception theory, two step flow model and uses and gratification
·         Cultivation theory – examines the long term effects of television, the longer people send ‘living’ in the television world, the more likely they are to believe social reality
·         Barthes and Roland – action codes and enigma codes
·         Binary opposition – Levis strauss, narratives are structured around oppositional elements in human culture
·         Blaxploitation film – films of the 60s and 70s had black actors featured in principal roles usually with whites
·         Bootleg – illegal copies of CD or film
·         Bricolage – French term for the random assembly by culture groups of various cultural signifiers to form new and often unintended meanings (skinheads with shaved heads)
·         Copy-cat crimes – crimes committed by individuals who appear to have imitated crimes either reported in the media or fictional crimes represented in film or television programs
·         Cultural competence – describes the advantage given to middle class children in the education system as a result of their parental and cultural background
·         Cultural imperialism – the dominance of Western, particularly US, cultural values and ideology across the world
·         Demonisation – media portrays groups of people as evil and makes them a focus of moral panic



Friday 2 December 2016

BFI library notes and quotes

Books

Youth, popular culture and moral panics - John Springhall 
'Prime Minister John Major told the Conservative Central Council on 1993 that those who made and distributed films and videos should "think whether a relentless diet of violence won't have a serious effect on the young". He was responding to the abduction and murder a week before in Merseyside of two year old James Bulger.'  Page 1 introduction.

'Did "Penny Dreadfuls" by glamourising criminals, make crime attractive to youthful audiences? Miss Martineau's thesis, shared by many in authority, that cheap fiction for working class juveniles encouraged and even instigated delinquency'. Page 71 and 72 Chapter 3

"No one has the right to be upset at a brutal sex crime or a sadistic attack on a child or mindless thuggery on a pensioner if he is not prepared to drive sadistic videos out of our high streets", cried David Mellor, Minister of state of the Home Office (debate in November 1983). Page 148 Chapter 6

'You can't listen to all that language and film without it affecting you' Page 150 Chapter 6

'...his rise and fall says much about the millions of white American kids who brought his music as the black brothers he rapped about. For Shakur was one of the few gangsta-rap artists who achieved mainstream success, selling to affluent white mall youth who would never step  Page
This reference of a rapper who has passed away is Tupac an iconic African American. He gained a wide audience even influencing and connecting with different ethnic groups. This would have certainly impacted the dominant ideologies in society as their logic was/is 'if you listen to rap music, you can be influenced'. This can then be applied to white teenagers who were beginning to introduce themselves into the hip hop industry/culture.

'Can Hip Hop make Jesus Cool?' - Article. 38-39 pages. 2004.
'Hip Hop clearly shows that disguising rap music as gospel music is not a positive career move.' Page 38.


'Celebrity endorsement is not to be underestimated, especially when it comes to hip hop as any pop scarlet or multi national co operations seeking to make themselves or product cool would argue'. Page 39.


'There is no better way of marketing something to youth than to link it with hip hop culture' Page 39.

Article

Focus on hip hop

'In "50" 50 cent talks about his life on the streets before he got involved in the hip hop industry'. Page 40

'His story takes us through the struggle to get signed and a few weeks before his big break into the industry lucky to survive to tell the tale'.


Partners in porn - Janice Spence

'The days of making powerful, thought provoking and entertaining music videos are now a thing of the past'

'I can still remember my sense of pride when I first watched the premiere of Public Enemy's promo, for their classic single "Fight the Power" directed by Spike Lee. The powerful images of an intense but excited African American inner city neighbourhood, shouting the words "fight the power" at the request of flamboyant group member Flavor Flav, demonstrated unity and empowerment within a community and Public Enemy were the orchestrators'.

'Those videos didn't need to depend on the now obligatory scantily clad females that dominate recent crop of rap promos currently being rotated on numerous music channels'.

'Public Enemy and their peers from the golden era of hip hop, simply held the viewers' attention with a strong, demanding visual presence'. 





Useful resources:
http://www.slideshare.net/MissOzzy/theory-theorists (Theories)
http://mediamacguffin12.blogspot.co.uk/2014/12/12a-representation-theories.html




Tuesday 29 November 2016

Film Review - Gone Too Far

Review

'Gone too far' is a British comedy that first made its way onto screens in 2013 and has been labelled as a 'fish out of water'. It was produced by Bola Agbaje who is an African British citizen who grew up in Peckham which is where the film was set. Some would argue that this is the ideal of way portraying values and representations just like we witnessed in the debate. The film has a 5.5 rating on IMDB which is decent and reasonable seen as this was Bola's first film production which would have a low budget we would assume. The narrative is of a young British male of African origin having to deal with living with his older brother whom has got a visa and is moving from Nigeria to the UK. Instantly, any audience would assume that the older brother (Iku) would look different from your typical mid twenties person which he did and both of the boys were being bullied about this. This perfectly demonstrates identity in the film because when people witness something odd or different from the rest of society (mainstream) they look down upon it. This is the reason why Iku's younger brother, yemi, tried to avoid him throughout the film. Bola Agbaje has said that the purpose of producing this film and writing the narrative the way it was written was because black representation needed to be portrayed from a realistic perspective and because she wanted to show a similar lifestyle to the one she had through the character Yemi.

This house believes that films featuring ethnic minorities should only be produced by those who have the ethnic identity being represented

In the BFI cinema we were asked whether we were for or against the statement. At first I thought this was a straightforward answer but as I was fully understanding what had been said we had to give our answer so I had to proceed with the original decision to choose 'against'. I chose this at first because in today's society we are taught not to judge or be discriminative and allow people to be who they want to be. So when considering film industry, film makers should be allowed to produce a film based on anyone they like. My minute of thinking was basic compared to the debaters as I wasn't able to further my conclusion with reasons like 'there aren't enough ethnic minority film makers in the industry'.  This was a point risen from the side 'against' who believes audiences wouldn't be attracted to watching a film produced by an unknown producer compared to a Hollywood Blockbuster producer. So revenues for film could plummet if this were to occur which is a risk banks wouldn't be willing to take as they would be the ones investing in these films. The side 'against' gave some really strong points which made me believe that realistically it would difficult for film producers of an ethnic minority with minimal experience will be able to produce films. The side 'for' made me realise that a person producing a film about something that is close to them is ideal as they have the experience of a particular situation. If we consider Bola Agbaje, producer of 'Gone Too Far, she made the film in relation with her upbringing. This allowed her to implement the obvious stereotypes of African people and British culture like most people in the UK could. However, its the experience of actually living the life with an African parent that will allow a film producer to make a film emitting realistic representations of African families. So this could be different from a white film producer asking African people in Britain about their upbringing and trying to condense into a film because they may view the responses in an alternative way. Therefore, producing the film with representations that inaccurate or false which would not be good for people's views and values of the ethnic minority as audiences are suggested to be gullible believing everything the media feeds them (effect theory, hypodermic needle model). This is the reason why I changed my decision from siding with 'against' to 'for'. As I believe a more accurate representation would be made of ethnic minorities when the film producer is of the same background compared to someone who tires to understand the group of people.


Monday 28 November 2016

Essay Plan

Essay Plan
Introduction (100 – 150 words)
·         Quote used to introduce the topic: ‘16 year old African American female “they ain’t ‘bout it if they don’t listen to it”’. (Possibly need to a more significant quote – statement)
·         This will introduce the topic and the media text ‘how does hip hop represent black people, with specific reference to the track ‘Plug’ by Rich the Kid?
·         Background story of the song
·         Background story of the artists
·         The self-representation this ethnic group has portrayed using generic conventions and the issues this leads to (moral panics)

Section 1: this will be used to analyse the primary text (400-500 words)
·         Mini intro to the section with key information about the primary text like institution
·         Generic conventions of hip hop music videos and the correlation with the primary text
·         Using migrain to identity the key conventions – language and forms
·         Self-representation these rappers have constructed of themselves and the similarities with other rappers of this generation
·         The issues these self-representations have had on society in general – reinforce ideologies


Quotes:

  1. ·         Keepin’ it real journal by Andreana Clay: ‘Exactly how hip hop culture maps out these real and imagined relations between people and the tools used to bring people together is an important question to explore in the discussion of black youth identity, cultural capital and hip hop culture’
  2. ·         Keepin’ it real journal by Andreana Clay: ‘There also was constant pressure to perform: to have the right clothes, listen to the right music and speak the right language – all of which were based on hip hop’
  3. ·         Can Hip Hop make Jesus cool? Article Luan Goldie: ‘There is no better way of marketing something to youth than to link it with hip hop’
·          Other quotes 

      Keepin' it real journal by Andreana Clay: 'Hip Hop music exploded onto the music scene in the late 70's which marked a time when both the black middle and working classes had been moving out of poor, segregated black communities for two decades. As blacks moved out of the inner city, drugs such as heroin and crack moved in'
      
      Keepin it real journal Andreana Clay: 'Rap music's evolution in cities such New York spoke to black and Latino youth who were being channelled into vocationally trained and subsequently obsolete jobs, giving them both hope and recognition by telling their stories'
      
      DJ Akademiks YouTube video of rap artists ASAP Rocky: 'We need to stop black on black crime before we consider the black lives matter campaign'
  
      Hip Hop honey or video ho journal  Dionne P: 'Among males aged 12-18 the rates of sexual activity and sexuality transmitted diseases are highest among African American, followed by Latinos and Euro-Americans'.
   
   The global hip hop Diaspora journal Carol M: 'hip hop culture influences styles of behaviour and dress: from sagging pants to oversized tees, hip hop style is important business venture for not only the recording industry but also clothing fashion accessories and beauty industries worldwide. For example, the fashion of droopy oversized pants, baseball caps and Nike sneakers are leading style for teenage boys in the United States Tokyo. 


Theories:
·         Uses and Gratification
·         Two step flow model
·         Hypodermic needle model
·         Representation theory
Key words (all link wider context):
·         American dream vs American nightmare – inequality (Malcolm X) amongst race and the opportunity for black people. These terms act as binary oppositions
·         Documentary elements – rappers use hip hop to tell their story
·         Liberal values – how will people’s ideologies of black people be subverted with these hip hop videos?
·         Binary oppositions
·         Cultural competence – the education system could be the reason behind why ethnic minorities  
Wider context:
·         Black Lives Matter
·         Education system – discrimination (Cultural competence)


Section 2: historical text (350 – 400 words)
·         Background of historical text (Mobb Deep)
·         Hip Hop in the 90s in contrast with hip hop of this generation
·         Compare key conventions
·         Representations are similar – depending on the perspective an audience views this. Hip Hop audiences would argue that hip hop has slightly changed with artists becoming  less masculine but middle class white and some black people would counter argue that and say rappers are still criminals and menaces to society
·         Documentary elements – artists of the past were telling stories about their upbringing with better English that most audiences would be able to understand. But rap now in the UK and US has changed where mainly hip hop audiences (dominant reader) whom understand the slang would have the ability to make sense of the lyrics

Quotes:

  1. ·         Youth, Popular culture and Moral panics book by John Springhall: ‘Prime Minister John Major told the Conservative Central Council on 1993 that those who made and distributed films and videos should “think whether a relentless diet of violence won’t have serious effect on the young”. He was responding to the abduction and murder a week before in Mereyside of two year old James Bulger’.  Copy Cat crimes.
  2. ·         Youth, Popular culture and Moral panics books by John Springhall: ‘You can’t listen to all that language and film without it affecting you’

  • The global hip hop Diaspora journal Carol M: 'In addition to serving as a form of entertainment, some musicians used hip hop to channel the anger of young people in the South Bronx away from gang fighting'.
  • The Guardian reporting on female rappers in Mexico: 'We are using rap to fight for equality' 
  • How poetry feeds on urban life


Theories:
·         Laura Mulvey  - Male Gaze. Rappers in past were either focused on gangster lifestyle of women. So male audiences would be forced to view these women in an objectified way. Rosalind Gill female gaze can be applied to rappers now as they can view some of them for their pleasure.
·         Tesa Perkins – stereotypes of black people being reinforced from 90’s up to now

Section 3: issues/debates (relative to black representations and wider context; 500–400 words)
·         Black lives matter campaign
·         Police brutality amongst black people
·         Hip Hop only reinforcing the ideologies of opinion leaders/middle and upper class people
·         Cultural imperialism leading to ethnic minority being targeted by racists

Quotes:

  1. ·         Youth, Popular culture and moral panics by John Springhall: ‘Did “Penny Dreadfuls” by glamourising criminals, make crime attractive to youthful audiences? Miss Martineau’s thesis, shared by many in authority, that cheap fiction for working class juveniles encouraged and even instigated delinquency’.
  2. ·         The Global hip hop Diaspora understanding the culture By Carol Motley: ‘In addition to serving as a form of entertainment, some musicians used hip hop to “channel the anger of young people in the south Bronx away from gang fighting”’.

Theories:
·         Tricia Rose – hip hop gives black female rappers a voice introducing female empowerment
·         Michael Eric Dyson – Political rap didn’t get the support that it deserved when it was prominent in the 80’s or 90’s so it reverted to the flashy, sexualised, criminal rap which we know today, as through displaying this it became more prominent and more mainstream
·         Jacques Lacan – infants see reflections in the mirror and see it as a superior reflection of themselves that they must aspire to. Seeing iconic rappers who are successful young black males may see them as a superior reflection of themselves.
·         Tesa Perkins – some of these stereotypes could be true
·         Andy Medhurst – shorthand stereotypes

Section 4: media technology and the opportunities it provides (350 – 400 words)
·         The way digital media has allowed hip hop and any music fans to publish their own work with beats or songs
·         Gives ethnic minority struggling in deprived areas  a chance

Conclusion (150 words)
·         Bring the main argument back into the conclusion, it will have my opinions of the topic question.
      Consider the wider context and how the influence of this can impact on particular representations.
      Possible quote with significance to reinforce my opinion.
      Manipulation of media content diversifying people's ideologies


Key words:
·         Semiotics – non-verbal codes, denotation/connotation
·         Generic conventions – iconography, style, setting, narrative, characters, themes
·         Documentary elements – observational documentary, actuality
·         Mediation – constructed, mis-representation
·         Liberal values – progressive values, anti-racism, multi-culturalism
·         Patriarchy – system of society which men hold power
·         Matriarchy – system of society which women hold power
·         Narrative elements, sequences – strands, multi stranded narrative
·         American dream – cultural myth based on the belief that the USA is a land of promise and opportunity where anyone who works hard can achieve all the good things in life (love, esteem, wealth)
·         American nightmare – Malcolm X used this term to express the inequalities particularly with race and opportunity experienced by black people
·         Audience theory – hypodermic needle model, cultivation theory, effects theory, reception theory, two step flow model and uses and gratification
·         Cultivation theory – examines the long term effects of television, the longer people send ‘living’ in the television world, the more likely they are to believe social reality
·         Barthes and Roland – action codes and enigma codes
·         Binary opposition – Levis strauss, narratives are structured around oppositional elements in human culture
·         Blaxploitation film – films of the 60s and 70s had black actors featured in principal roles usually with whites
·         Bootleg – illegal copies of CD or film
·         Bricolage – French term for the random assembly by culture groups of various cultural signifiers to form new and often unintended meanings (skinheads with shaved heads)
·         Copy-cat crimes – crimes committed by individuals who appear to have imitated crimes either reported in the media or fictional crimes represented in film or television programs
·         Cultural competence – describes the advantage given to middle class children in the education system as a result of their parental and cultural background
·         Cultural imperialism – the dominance of Western, particularly US, cultural values and ideology across the world

·         Demonisation – media portrays groups of people as evil and makes them a focus of moral panic

Monday 21 November 2016

Critical investigation 3

Public Enemy - fight the power

This song was released in the 90's by hip hop group Public Enemy on the album 'Fear of a Black Planet'. It was produced to unravel the false accusations and representations the Government were trying to portray of black people in order to keep white people of middle upper class superior. A Marxist would have been a typical person that would be against the song because it challenges their belief of the existence of only one major class.

Fight the Power is different to the primary text 'Plug' in the sense that it acted as a protest for black people. This is because the ethnic minority in America would have struggled to have their voices heard through political events and hip hop (music as a whole) was/is a way for these artists to put forward their values and ideologies with their being an audience listening to them. Hip hop in the past was used to show the mistreatment of black people by people in power and if we consider white privileges it is evident that their opportunities are different to white folks. Which would link with the struggle that black folks have gone through in the US and the UK. However, the way the artists of now and before told these stories has definitely differed. If we look at the track 'Plug' by Rich the Kid we can see that black rappers care more to boast about their success from once being a part of the struggle in the 'ghetto'. There is no encouragement shown to young people to become successful like them or to take a more legal/professional route to success and there certainly isn't any protest against the law. Its all just obedience they show against police and other black people through what the three artists say in the lyrics. Also, rap now emits a vibe to audiences where they feel less connected with the artists because once these rappers make it they don't turn around and decide to help their community or family.

Whereas with Public Enemy, they seem really determined to 'fight the power' especially because the music video includes a load of extras. They aren't really amongst the 'background' but are beside the artists which would suggest they view themselves higher than anyone. This certainly reinforces the protest they put forward especially because we can hear the jeers of protesters in the music video with the rappers rapping over their voices as they are the ones that are most influential. Therefore, they are using their power and fame to give black people with less power a voice that the Government and people with unrealistic perceptions of the ethnic minority.

The genre of hip hop is steadily evolving which some of the fans are too pleased about. The fact the rap is becoming less political is worrying some people especially of ethnic minority backgrounds because it means that middle/upper class people's ideologies won't be challenged as much because they will only view stories based on one viewpoint which would be from large news institutions. This is negative for the genre as less people would be willing to try to listen to rap because of the reputation it would have constructed because of the news. Therefore, the production of songs like 'Plug' will mean that hip hop will take a turn for the worse as its audience won't be educated on political events and occurrences if these artists aren't informing them the only way they obtain this type of news. However, there are some artists in the industry that are sticking to producing rap songs about society like police brutality. For example, J Cole or Kendrik Lamar are just two of the artists on the scene who are famously known in the industry for producing songs that are made to challenge radical events in society (current affairs).


Mobb Deep shook ones part 2
Mobb Deep is a hip hop group of two rappers from New York Prodigy (Albert Johnson), Havoc (Kejuan Muchita) and another rapper who sometimes featured with them, Big Noyd (TaJuan Akeem Perry). The song was released way back in 1995 on February 7th so any audience watching it now would expect to establish the difference in quality physically because the resolution of cameras and recorders weren’t as advanced as the ones that exist now. This isn’t the only difference between music videos of the past compared to the ones produced in the 21st century. We will look to exploit the ways society has changed due to the content of hip hop music videos.
In the Mobb Deep ‘shook ones’ music video, the artists perform their song in front of the projects which hip hop audiences would be able to interpret as their hood. They explicitly express their loyalty about their friends, family and New York (place of origin) through the use of violent gestures and behaviours in the music video. For example, iconography is used when one of the characters is assaulted and then robbed which is a typical behaviour of young black males. This would then reinforce the stereotype of black males being disobedient due to the criminal behaviour in the music video. Therefore, dominant ideologies are being portrayed which means middle/upper class white people would would maintain their beliefs of the ethnic minority which would make it harder for white people to see life from their perspective (i.e Black Lives
Matter campaign).

If we consider what society was like in the 90’s because of songs like shook ones, there are numerous differences then compared to now. Using this music video and the primary text (‘Plug’ – Rich the Kid) we can see a difference in appearance with clothing. In the ancient music video, fashions are obviously different and this is evident with the baggy sports (sometimes non-branded) tops and jeans they wear which would suggest to an ordinary audience that the clothes are too big for the artists however for hip hop audiences of the 90’s it was the norm and the trend (zeitgeist). In contrast with the modern music video, the artists wear branded and loose clothes which is almost similar to the fashion of the past but does has a different look. The fact that the clothes are branded is important in this era of rap because it’s all about showing off the money and expensive garments these artists possess. Furthermore, audiences associate hip hop with gangsters, aggression and masculinity but the artists don’t really reflect this because of the colourful clothes they wear and I believe society is the blame for this rather than the artists themselves. We can use the hypodermic needle model to suggest that audiences are the easily influenced on what they see in the media and so would be incentivised to buy what their role models have. For example, modern artists of this generation may aspire to be like an artist like Kanye West and would buy clothes from his clothing line which could be argued to be androgynous. So would be seen as less masculine but this doesn’t affect them because Kanye’s brand image is high and the clothes he offers are certainly expensive.

An obvious similarity of the two texts would be the people involved in the music video. With ‘shook ones’ all the people from artists to background actors are all black just like the ‘plug’ music video. This would suggest that the ethnic minority are still in a struggle in society because they are finding ways of becoming successful though the illegal lifestyle which doesn’t reflect positively of the Government of these countries like England and US. This is because people of the middle/lower class and strugglers and reformers of the psychographic graph are left wondering whether the Government value ethnic minority in society. So, people become motivated to run protests and potentially riots in the future which would mean middle/upper class ideologies wouldn’t be challenged as they are being supported because of riots.

The methods that songs were generally accessed in the past is completely different to how it is done now. If hip hop audiences wanted to get hold of the latest rap song, they would have to buy a record or buy a CD. This obviously isn’t convenient for people because it’s not immediate access so would have to travel to a store to make the purchase and then the input device (CD) can only be used in a few devices (CD player). Compare this method to now and it is much easier for audiences to get their music. This is because of the development in new and digital technology which has allowed people to get immediate access to new releases of songs or movies. Whether it is legal or not, audiences are able to download their favourite artist’s content on the day it releases which meets their demands. In addition, it benefits these artists because some video/music streaming applications are free as long as there is Wi-Fi so they can gain new audiences at much quicker rates compared to audiences in the past being less adamant of buying music. The song ‘Plug’ was published on YouTube on by the famous hip hop channel ‘WorldStarHipHop’ which is used by modern rappers to distribute/promote their music or albums. This is another form of technology giving these artists another method of allowing audiences to interact with them. This is because some of these artists have their own YouTube channels and would be linked to their music videos of ‘WSHH’ so audiences can directly message them or leave comments under their music videos has reviews. 


Possible texts:


Public Enemy - Fight the power
Released in 1990
Album: fear of a black planet
Protest
Different from both texts


Comptons Most Wanted – I’m wit Dat
Released in 1990
Album: It’s a Compton Thang
A chill album with the artists showing what they do in the hood
Takes a more passive approach


CPO feat MC Ren – Ballad of a menace
Released in 1990
Album: to hell and black
This is the struggles the artists went through to become successful
Similar the two texts above


Modern texts:


Dae Dae – What you mean
Released in 2016
Modern rap more about showing off
Similar to the primary text
Has been remixed and has been given a shout out through celebrities listening to the song/artist


Madeintyo – Jerry Stackhouse
Released in 2016
Modern rap which glorifies the use of drugs and sex
Similar to the primary text


Playboi Carti feat DA$H and Maxo Kream – Fetti
Released in 2015
Modern rap used to show off the amount of drugs they use
More inappropriate than the primary text











Friday 18 November 2016

Notes and quotes 1

Andreana Clay is an associate professor in the department of sociology. In the article she wants to establish the relationship between black youth and hip hop culture. She uses the idea of African American youth relying on hip hop as a form of cultural capital in everyday settings. They focused on how black youth would interact with one another at the City Youth Centre and the article examines how this particular form of cultural capital may be used to authenticate a black identity. Bourdiue’s theory of cultural capital which discusses the conflicts which take place in each social field have specific characteristics arising from those fields and that involve many social relationships which are not economic.  It is relied on to investigate how black youth construct legitimate racial boundaries. 
‘Hip hop music exploded onto the music scene in the late 70’s which marked a time when both the black middle and working classes had been moving out of poor, segregated black communities for two decades. As blacks moved out of the inner city, drugs such as heroin and crack moved in’ - Page 1347. 1.
This quote above from the article heavily links the ghetto of now and the struggles black people face living there. There seems to be a correlation between when rap was introduced and when black people were improving living conditions. It suggests that in the 70’s black people were blessed with the opportunity of being able to emerge into another genre of music other than Mowtown which would help see them out of the deprived areas in America. Hip hop was that genre from as late as the 70’s we can see the association the genre of music has with black people and so the automatic association of the two would be forever linked. This is why representations and stereotypes hip hop vibes off to audiences would instantly be generalised back to black people because it seems part of their culture now. Also, we could assume the stereotypes of now and possibly ones of a few decades ago would suggest black people are the main group of people that promote drug use. This would be because of the self-representations they have constructed in hip hop music videos where they are shown either rapping about rap, selling it or using it. Despite this, the journal says that as the number of black moved out the city an obvious substitution had taken place with different types of drugs being imported in. Therefore, the stereotype is subverted because less black people lived in the inner city yet there was an increase in drugs coming in. However, I don’t believe this would change most people’s ideologies of black people and drugs because of the influences around them like the news. For example, the news would be less likely to report that drugs is increasing in the inner city as black people move out because it would not sit right with preferred readings of white middle and upper class citizens. The hypodermic needle model can be applied to suggest media is feeding its audience with news they want people to believe and to construct views and values based on what these news institutes report. So when news channels inform people of drug use they would be most likely to associate it with a hip hop news story or linking drugs with a famous rapper or black musician. In addition, the two step flow model can be applied with this quote because if people aren’t being informed on specific news like negativity amongst white people and drugs. So opinion leaders like news institutes would be able to control what values they share.
‘Rap music’s evolution in cities such as New York spoke to black and Latino youth who were being channelled into vocationally trained and subsequently obsolete jobs, giving them both hope and recognition by telling their stories.’ – page 1348. 2.
This quote reinforces the stereotype of the ghetto and the struggle ethnic minority groups’ face when trying to better their lives. Most audiences assume these hip hop artists derive from deprived areas where education isn’t a vocal point for improvement and jobs won’t be converted into careers. If we consider the ideologies white people mainly have/had of immigrants, we would assume they don’t respect or value them because they may feel they don’t provide help for the country. However, black and Latinos are more willing to do blue collar jobs which white people may be reluctant to do because it won’t lead to promotions or a better life. In relation with hip hop, some of the immigrants and foreigners decided to choose the path of music. They would then work hard and grind to become successful in the music industry which subverts the ideologies and values of constructed about them (e.g. being lazy, not helping economy). Moral panics are created because of opinion leaders like news institutes exaggerating news stories about ethnic minorities in rap. For example, right wing newspaper (The Daily Mail) was very critical about Plan B’s film and album ‘Ill Manors’ because of the genre of the media content. They wanted its audience to have a preferred reading of the story so negatively criticised the news story and the hip hop genre. Furthermore, the moral panic was formed with the newspaper discussing the influence the content would have on young people especially because the music video and film included many young people and of ethnic minority groups (black, eastern European). 
‘Exactly how hip hop culture maps out these real and imagined relations between people and the tools used to bring people together is an important question to explore in the discussion of black youth identity, cultural capital and hip hop culture’. – Page 1349. 3.
This quote is trying to explore how hip hop has constructed particular representations of black people and the influence it has had on this group of people. It also is used to interpret how rap has improved black culture and the image it has given black people. Something significant from the quote is ‘how hip hop culture maps out these real and imagined relations between people and tools’ because it suggests some of the representations made in rap may be fiction just like a films narrative would be. This means that some of the lyrics used and actor’s behaviour in hip hop music videos may be utilised just to show off and create images of them which aren’t true. This is where some stereotypes of rappers can be subverted because a rapper who claims to be a ‘killer’ may actually not have committed a significant crime like that or on that scale in their lives. Therefore, negative stereotypes and ideologies are formed based on what audiences see which links back to the hypodermic needle model because audiences believe what they see through the media. So, ‘tools’ like guns, drugs and other illegal or suspicious assets these artists like to show off with in music videos will forever be associated with hip hop and black people.  
Furthermore, it brings the black community together because they may feel they are connected with something that has healthy numbers and it’s of their interest.  Especially for black youth and the ones who live in deprived areas like council flats or ghetto and gang affiliated places. Young people want to be part of communities because social life is important to them and hip hop is a way of connecting with others because it is associated with being ‘cool’ which young people aspire to be. This could be one of the reasons why news institutions create moral panic amongst youth and hip hop because they fear they are being influenced by the content rap artists are producing. As black people are heavily linked with hip hop, audiences watching the news would be more likely to generalise the representations of hip hop with black people. 
Study was carried out by Clay with young African Americans who were put in a room to socialise and play games. Informal interviews were carried out based out whether they listen to hip hop, here are responses (page 1352):
16 year old male Corey, ‘I listen to hip hop music at home, at school, I go to sleep with it’
16 year old female Linda, ‘They ain’t ‘bout it if they don’t listen to it’
15 year old male Lavelle, ‘I don’t know who don’t listen to it, my Grandma listens to that Church rap’
16 year old Michelle, ‘the Mexican people in my class listen to it’
‘There also was constant pressure to perform: to have the right clothes, listen to the right music and speak the right language – all of which were based on hip hop’ – Page 1351. 4.
This finding shows the major influence hip hop is having on youth because they are copying what they see in the genre. This can be dangerous because these artists mainly express the methods of making money, finding pleasure or dealing with people they dislike. All of which are illegal or immoral which could increase the crime rate if more people become more gullible.  Linda’s response is alternative to the one I thought a female would give. Her response is basically stating that if people aren’t interested in hip hop then they aren’t a real gangster. My question to her would be, how do you know this is true? It just shows the significance hip hop has on people because she’s suggesting if a person hasn’t been indulged their self in this type of music then they aren’t masculine and can’t live a life of criminality. Therefore, the influence of hip hop is powerful. 
Uses and Gratification theory can be applied to the song because audiences may use the song for any of the four factors: diversion, personal identity, personal relationship and surveillance. 
People use music to block themselves out from the real world. This is where pleasure is used by the audience and it’s called diversion as they attempt to escape into a imaginary life. 
Personal identity in this context is when audiences are be able to see their lifestyle being reflected through the lyrics or the music video itself. Seen as the target audience for the song is black males, some people's ideologies would suggest that all the audience of the song are criminals and would be able to relate to the artists but only on a smaller scale (maybe not as wealthy). 
Finally, surveillance is when people educate themselves through media content. This may be more relevant to people of younger ages as they aspire to be as rich as their favourite rapper and would try to 'hustle' like the artists highlight in the song.  Tessa Perkins' theory can be applied to suggest some of the stereotypes of black people are true because it’s being reinforced in the music video. The rappers are smoking and acting in an anti-social manor so would reinforce some of the ideologies created by the media and people from upper classes. The hypodermic needle is when media influences people's thinking; media content is given to recipient and they are left to believe what they see. So this can be applied to the song as the artists are stressing the amount of money, garments and women they have which may seem realistic in the eyes of youngsters. This would influence them to become criminals and try to sell drugs and earn money fast like these artists when it probably isn't as easy as they say it is in their songs. Furthermore, the ghetto is heavily linked with hip hop and the people who come from it are usually people black from lower classes with a low disposable income. This could be the main reason why they turn to crime and hip hop. They would fit under strugglers in the psychographic table because they don't have much wealth or hope and standard of living is poor.
Hip hop is and has always caused controversy because of the influence it is having on people. It glorifies all types of crimes which have had an impact on some people and gangsters use hip hop as a form of communicating with their enemies. This is why the genre has bad smoke surrounding its because people who don't like the genre scare themselves away from it and the media (news institutions aren't helping). News institutions like the Daily Mail (right wing) want to cause a moral panic when it comes to the rise of hip hop and the ethnic minority who promote it. In addition, 'Black Lives Matter' is a campaign that has been generated over the past year because of the increasing numbers of injustice killings by police (mainly in America) on African Americans. It was created to create awareness and because black people of America were frustrated with the killings inflicted on their people. Hip hop has also attempted to make itself recognised through the artists recording songs stressing theirs and other people's pain. Artists like Kendrick Lamar and J. Cole are the rap artists who try to be influential and display the perspective of inferior ideologies which has given black people a voice. The methods of distribution of songs have altered in the past decade for sure because of the rise in new and digital media. This has led to easier and free ways of audiences being able to obtain music they want through illegal downloading websites which has meant these artists aren't making as much money as they would in the past. However, it could play into the artist's hands because their fan base could increase significantly because audiences would be able to listen to their music for free and if they enjoy it may attend the artist's concerts or buy albums. Furthermore, I don't believe it would affect these musicians that much because some could suggest they make their biggest profits through their illegal activities rather than the music industry. It is probably used a source for recognition and extra money.
Rapper ASAP Rocky talks about how people who are for the black lives matter movement aren’t looking in the mirror at themselves
He wants black people specifically to question whether they are against white people killing black people or if they want to abolish killing as a whole
For example, when a police officer kills a black person there is a protest and ‘mixtapes’ are formed. But when its one black person killing another black person its a way of life (gangster/ghetto lifestyle)
These rappers are the ones talking about killing others and glorify it but want to make songs about justice
Specific rappers can only protest in a song without audiences questioning the artists
If rappers aren’t reciting a party line like ‘F*** COPS’ or ‘Black Lives Matter’, then people may not respect the artists. They may feel the artist is betraying the black community or siding with the police. Also occurred with Kendrick Lamar 5
I side both with the people for the campaign and ASAP Rocky to an extent. I do believe these gangsters need to understand constantly killing people isn’t reflecting positively on black people as a whole. This is because these people are the ones reported in the news on a weekly basis trying to create a moral panic and reinforce white people of middle and upper class’ ideologies and beliefs on black people. Therefore, some of them form stereotypes of the ethnic minority in the US or UK and generalise it amongst all black people. So ASAP Rocky is right in a sense because black people need to show the World that they shouldn’t be feared because they have done nothing wrong. However, the fact that some black people are letting down the black community shouldn’t result in all black people being treated as criminals by the police and justice system. It’s not right that police abuse their authority and are killing these innocent people. Therefore, some rappers feel the need to express their and the community’s emotion on the matter through songs. Artists like Kendrick Lamar and J Cole are known for giving black people a voice because they all feel the same on the injustice behaviour by the police. Also, I don’t believe artists like these two are being hypocritical because they don’t promote gun violence or glorify killing like most rappers do. 
 ‘Among males aged 12 -18, the rates of sexual activity and sexually transmitted diseases are highest among African American, followed by Latinos and Euro-Americans’.  – Page 1/2. 6.
This finding may not have been created because of the influence hip hop has on youth but the culture amongst black people could be the reason for this. This means that I believe hip hop has an impact on the way black people and its audience act and it has directly affected the young males this way. For example, hip hop is well known for explicit music videos and lyrics which objectify women and express the pleasures the artists have out of having these women all over them. These young black males could have easily be influenced by this if that’s part of their interest and may begin to copy the artists in music videos in the way they treat women.  This would then reinforce the stereotype created by audiences of hip hop artists and black people in general objectifying women because the young people believe they should be getting involved in sexual activity like their favourite artists gloat about.
 ‘Hip Hop culture influences styles of behaviour and dress: from sagging pants to oversized tees, hip hop style is important business venture for the not only the recording industry, but also clothing, fashion, accessories and beauty industries worldwide. For example, the fashion of droopy, oversized pants, baseball caps and Nike sneakers are leading style for teenage boys in the United States, Tokyo’.  – Page 1/2. 7
This quote is a positive reflection of hip hop and the opportunities it provides businesses can be profitable. From the business’ perspective their products are being promoted free of charge at times because of these artists showing them off in music videos or social media. For example, specific clothing brands which are of the luxurious range and cars which are niche like Rolls Royce. Despite this, some artists see this as a chance to gain more revenue themselves off of these businesses and so would endorse the products for money (Meek Mill –rapper- associated with Puma). However, there always seems to be something unattractive coming out of hip hop which in this case is the influence the artist’s behaviour is having on young people. The sagging of the jeans had been transferred onto the audience of the genre because they are obviously copying what they see in music videos which would negatively impact the views and ideologies white people of middle and upper class have on people wearing their clothes in this way (ethnic minority – black people). 
In addition, the artist's appearance in the song reinforces the stereotype of the way most young black males wear their bottoms (jeans). The stereotype would be along the lines of assuming youngsters believe its 'cool' to lower the height of their jeans revealing their boxers. This has been associated with young black males for many years now and its not anything they wish to hide as proven in this song. For example, one of the artists sits on a car bonnet with his draws showing which suggests he knows about people's view of this style of fashion but he doesn't seem to care. This implies his character is very laid back as he does what he wants and because he is a rapper we would assume he disregards the law also. 

‘In addition to serving as a form of entertainment, some musicians used hip hop to “channel the anger of young people in the South Bronx away from gang fighting’. – Page 3. 8.
This quote explains how hip hop was used in New York to decrease crime and positively influence youth. In contrast with what hip hop is now, it is completely the opposite because these artists encourage others to find ways to become successful no matter and show off their success as a way of brainwashing their young audiences. The hypodermic needle model can be applied here because these young audiences would be more interested in acquiring money even if it’s an illegal route and this is evident because the young people of the 80’s and 90’s didn’t listen to rappers advice of stopping gang warfare. The representation in this music video varies and it depends on the viewer of the content. An audience who wouldn't be too familiar with hip hop currently may not know certain items, phrases, places, people associated with the genre so would miss the opportunity to discover some representations and stereotypes in the music video. An example of this would be the representation of rappers now compared to the ones of the 90's and 80's. In this era of hip hop, artists are portrayed to be less masculine in the eyes of hip hop fans mainly because of their appearance. Some of these artists have caused controversy in the industry with their wild dress sense or false claims in lyrics. It has fans wondering whether these rappers are really 'gangsters' or if they are just actors. However, an oppositional reader would assume hip hop artists are the same and there should be a moral panic about them. In the music video 'Plug' the artists are displayed in a masculine way which is still familiar with the genre but the definition has slightly changed from being menacing to more of a hype feeling. 
Veteran rapper, Luz Reality, gets unnerved by the constant threat of assaults in Ecatepec’s clandestine concert venues
Woman was found burned on an empty patch of grass, was still alive and told the police but died shortly after through injuries
Neighbourhood has become Mexico’s ‘capital of violence against women’- since 2012 on average, one woman has been killed every week
In one of the concerts, the rappers began expressing their feelings about the crimes taking place of women so frequently - people were recording it with their phones
Luz first heard about rap in the early 1990’s which helped her connect with her family 9

Rap gives a voice to all kinds of people. The main group of people that would come to mind is black people. We have seen through the years the number of hip hop artists trying to tell a story, a real to life story about the mistreatment of black people – police brutality. But this article shows rap being used from a slightly alternative perspective. This is because it is women doing the portraying and the audience in Mexico are the ones who would be the ones to accept this change or not. The women just want equality in the dangerous neighbourhood where women go missing on weekly bases which doesn’t seem like much to ask for. I believe a political debate about this would not really influence the people who are committing these crimes on the vulnerable women because the article says police stay out of their way which suggests these people are invincible. Therefore, rap allows these women to present their feelings in a song and especially because they are big icons in Mexico it could influence some of the people. In addition, Tessa Perkins’ can be applied to infer that some stereotypes are true and the one being displayed in Mexico is that it is an uncivilised country (some parts) and it could be the reason why some of them decide to immigrate to the US.   
‘Understanding the new crises in African American culture that have come about in my generation’s lifetime high rates of suicide and imprisonment, police brutality, the generation gap, the war of sexes, blacks selling black self-hatred as entertainment, among others I often wonder what life will be like for the generation of African Americans that follows .’ 10.
This discusses the self-representation black people have made of themselves which is impacting their image. These representations will be taken on by others and applied to black people now because they have formed them their selves. For example, rappers who claim to be killers are creating negative stereotypes of black people as a whole because people would then generalise what these artists are saying. So black people will be find it hard to escape from these representations if they are being reinforced or supported by black people. 
Covers all kind of poetry 
Tom Chivers ‘There is this energy and aggression and speed in a city that lends itself to poetry – cities are built with poetry’
Inua Ellams ‘poems are 3D portraits of the World using a few words as possible’
Hip hop – urban kind of poetry that has exploded I the past 30 years; expresses the experience of black Americans 
Ellam believes there urban poetry can relate to other poetry with the example of ‘8 Mile’ 11
Currently ‘Rhythm And Poetry’ is dominated through hip hop which has developed its own stereotypes and representations it has on people over the years. The typical ones would be that rap is violent, abusive, racist etc. Poetry wasn’t always like this as it says in the article it used to be an attraction for locals as it would discuss issues and images in society. Furthermore, because the internet was a mere shadow of other platforms like print and broadcast the poems were probably be for locals distributed in newspapers and radios.


Daily Mail
The hip hop cop shop: Police opened fake rap music store and snared 30 gangsters for drugs and gun offences
Police opened fake rap music store and snared 30 gangsters for drugs and gun offences
Total of 37 armed criminals and drug dealers have been jailed for a total of more than 400 years 
Private back room of a hip hop store
Shop operated for more than 12 months with officers who were trained in the music they were selling
Criminals aged between 16 and 41 were charged with various offences
The shop has a sound booth for people to record music usually hip hop
19 of the 27 men were black 12
The fact that the police decided to use a ‘hip hop shop’ and not anything else obviously highlights the association the genre has with crime. These artists who rap about criminal activity have had an influence on these people as they are criminals now or possibly were criminals before listening to rap and are now able to relate with the artists (Uses and Gratification theory – personal identity). Also, ideologies of black people being criminals and negatively impacting the UK would be reinforced because of this investigation because 19 of the 27 pictured men are black. Despite the men holding firearms or drugs, we could argue that hip hop was used to keep them off the streets so would be less likely to use them. They weren’t harming anyone and no one’s life was in danger so this could suggest they were being passive. 

Music able to bring people together whilst simultaneously segregating us
Evident in social networking World of harsh tweets or hash tags 
There is an obvious generation gap between the kids and the adults 
Popular songs today have more power than before as they dictate social circles, fashion trends, clubs people visit, new memes, slang etc.
Prepubescent children being influenced because mainstream music is branded as ‘brainwashing’ 
Music today lacks structure, taste and feeling
Basic interpretation comes from ‘How does this (song) make me feel?’
He believes people wouldn’t be able to enjoy hip hop songs if it’s hard to understand what the artists is saying 
He believes majority of hip hop fans don’t even understand the lyrics and he thought they just looked like chickens on a farm bopping their heads
Elder generation have a tendency to blame rap for the violence amongst youngsters 
Is it the media that creates and reinforce violent stereotypes or is it the media producers simply constructing a reflection of society 13
This article demonstrates the way audiences in hip hop enjoy their music. In some cases, which is similar to 80’s and 90’s rap, people listen to rap songs for the lyrics and the feelings they build from what the artists are saying. Considering that these rap songs were mostly associated with violence, drugs and sex it could be the reason why people were influenced into the criminal lifestyle. I can apply the Uses and Gratification theory to infer that a few people constructed a personal relationship and/or personal identification. This could be because those people probably lived similar lives (in the ghetto) and have gone through the same struggles as their favourite artists so may regard them as a role model performing the acts the rapper glorifies in their song. Therefore, this could reinforce the stereotypes of rap being a huge influence on people especially those without much hope (lacking education) which could be black people as they are associated with this representation in society mainly because of the link between them and the ghetto – run down areas. 
50 is sexist, misogynistic, materialistic, arrogant and proponent of violence as a solution to the many problems he comes across in the ghetto. Shocking role model but he still has a healthy fan base
He stars in films, shows, computer game. Most of these are successful and his audience seemed to enjoy the content he created
Need to view 50 Cent’s media texts in a different perspective; consider the socio economic reality of black America
50 Cent’s behaviour is music videos is typical of a black rapper and it reinforces the stereotypes people have formed on hip hop and the black community – objectifying women
Article says, ‘no one would seriously confuse the stage performance of most music stars with what goes on in their private life’
The hustling, pimping and hoeing are all part of a carefully controlled image designed to sell as many records as possible
His fans respect his grind and the work he put in to escape the ghetto 14
This article shows a balanced viewing of the famous hip hop artists, 50 Cent. It begins with the content he creates and the reaction from his fan base to some of the discriminating and immoral scenes in his music videos or computer game. I believe his audience wouldn’t be too fussed with the explicit images on display because they like 50 unconditionally and it’s common in the industry of gaming and music. For example, the way women are portrayed in these videos can be disturbing to some people as he objectifies them lyrically and physically. In addition to this, the audience are pleasured with the women barely dressed in the videos (diversification) 


Bibliography
Book
Becoming Black http://www.jstor.org/stable/3587669?seq=1#page_scan_tab_contents

Kitwana, B. (ed.) (2002). The hip hop generation: young blacks and the crisis in African American culture. Bakari Kitwana 

Journals
Clay, A. (2003). Keepin’ it real. Keepin’ it real: black youth, hip hop culture and black identity. No.46, June, 1346 – 1352.

Carol, M. (2008). The global hip hop Diaspora Understanding the culture. 243 – 246.

Dionne, P. (2007). Hip hop honey or video ho African American preadolescents’ understanding of female sexual scripts in hip hop culture. No.10, October, 1 – 2.

World Wide Web
Aidoo, D. (2013).  Reading Rap: how do people interpret music? [Internet]. David Aidoo, English Media Centre. https://www.englishandmedia.co.uk/media-magazine/articles/16933

Akademiks D.J. (2015). ASAP Rocky under fire for “let’s talk about black on black crime” comments. [Internet]. DJ Akademiks, YouTube. https://www.youtube.com/watch?v=Cc8BeRI1tbY

Edwards, A. (2016). The hip hop cop shop: Police opened fake rap music store and snared 30 gangsters for drugs and gun offences [Internet]. Anna Edwards, Daily Mail website. http://www.dailymail.co.uk/news/article-2036437/The-hip-hop-cop-shop-Police-opened-fake-rap-music-store-snared-30-gangsters-drugs-gun-offences.html

Johnson, L. (2016). Representation in Rap - 50 Cent [Internet]. Lucy Johnson, English Media Centre. https://www.englishandmedia.co.uk/media-magazine/articles/16057


Parish, N. (2016). Female rappers take a stand in Mexico’s capital of violence against women[Internet]. Nathaniel Parish, The Guardian website. https://www.theguardian.com/cities/2016/sep/22/female-rappers-mexico-city-violence-against-women

Spinks, R. (2003). ‘Cities are built with language’: how poetry feeds on urban life [Internet]. Roise Spinks, The Guardian website. https://www.theguardian.com/cities/2016/oct/06/cities-poetry-urban-language-national-poetry-day


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